As a former semi-pro musician, I have a very controversial stance on the downloading of music - I completely support it as a marketing tool for artists who want to take control of their own lives, and believe that it has assisted in returning the scene to where it was in the late ’60s and early ’70s when bands like Led Zeppelin would record an entire album in two weeks and then tour for a year…the album was a promotional tool for the live show rather than what happened in the 90s where the single became king and bands were only good for 2-3 decent songs per album with the rest being crap and filler. I firmly believe that if you are a real musician, your venue is the live stage - if you can’t play live, you’re of no interest to me, personally, and I have a greatly diminished respect for ’studio bands’.
Having said that, if I download something that really impresses me, I support the artist and buy the disc. It’s kind of a ‘good dog, here’s a biscuit’.
I just wanted to throw that out as a bit of a caveat with regards to the first part of this post…
I downloaded Ivana Santilli’s new album “TO NY” two days ago, and had a chance to listen to it at work this morning while generating some construction drawings in CAD.
Holy crap.
Welcome back, Ivana. We missed you.
Cin and I have been huge, massive Ivana fans since her stint in Base Is Base years ago. Cin actually dragged me to see her play on her first solo tour for Brown, a little gig at Sonar in Gastown where we were two of maybe a hundred people in the audience, and spent most of the night standing directly in front of her, swaying, singing (and sweating - it was an amazingly hot night in that club) and loving the purity of expression that she puts forth live. Several live shows followed at Performance Works, the Jazz Fest…any time she hit town we were there.
Then, she put out her second solo album, and like the fickle little beeyatches we are, she lost us. I thought the album was boring, rote, a jazz/funk/r&b paint-by-number kit and couldn’t find a spark like The Sun Has Set, or Sun+Moon=Tomorrow. We clung to Brown, and consoled ourselves with a copy of Directions’ disc, Chantal Thompson’s band that opened for Ivana at Performance Works in Granville Island.
Over the next three-plus years, Ivana’s music retreated into the background - there were rumours of a musical meltdown in her life, moves between Toronto, New York,and London, a broken heart, all sorts of personal issues…the typical laundry list of conjecture and hyperbole that I learned to just tune out and ignore rather than take personally when we were in the scene.
Then, two days ago I noticed a tiny little blurb on the Net about Ivana’s new album. Cin and I both looked at each other, kind of puzzled that we hadn’t really heard anything about her for the last couple of years. Remembering our disappointment with Corduroy Boogie, I found and downloaded the album, and held my breath when I loaded it up this morning.
Ten bars into “Still Anymore”, she had me.
The second song, “Whateva U Want” had me looking at my iPod in disbelief.
Four songs in and I was emailing Cin…
Holy crap - I’m listening to the new Ivana Santilli album right now.
It’s good.
It’s really good.
It’s what the Remy Shand album kind of promised, but this one delivers. Total soul, R&B, very New York. Her voice is amazing on this album. Totally makes up for the crap last album.
It’s fabulous. Seriously. It’s amazing chill-nu-funksoul-NYC-night-vibe music. She channels Barry White in a couple of tunes, or Chef from South Park, I can’t decide which…
Yes, that last part was tongue in cheek. However, it gets my point across - this is a really mature album from her. Moving to NYC obviously agreed with her, and she’s written an album that not only plays like a letter to a lover, but plays like an open letter to a city that has helped her find herself again. She’s in love, and it’s obvious without being annoying, or saccharine. When she sings “…cause we’ll be making our sweet, sweet love, cause sweet love’s what you need”, it comes across as a genuine expression of passion, lust and love not only to a partner, but to her adopted city as well. This whole album is so consistently heartfelt that it’s a joy to listen to - more than once I found myself sitting at my desk with my eyes closed, relishing her breathy voice and beautifully layered harmonies…it was like nu-soul-porn. I guiltily felt like I needed a moment alone with Ivana’s voice in the washroom…
In a word, this is slinky music.
I really lost myself in this album - on a track called All Afternoon she sings “…roll up your sleeves cause it’s about to get real deep” and I caught myself grinning because vocally, there’s a nice little subtle tip of the hat to So Deep off of Brown, whether intentional or not - it’s two notes, but it’s like a warm embrace between Ivana and her fans, a little inside quip, a subtle tip of the hat to her past that comes off as sultry, slightly cheeky and not at all cloying or self-referencing. She’s found her way back to a sound that feels like her whereas I think the problem with Corduroy Boogie was that it was too much of a collaboration between her and several other songwriters - her voice was diluted and consequently so was the album. Here on TO NY, she’s writing purely her own style, from her own point of view on her adopted homes, and I think that’s the biggest compliment I can give her as one musician to another; when an artist can emote a certain style to the point where the listener feels like they’ve stumbled across a private note between two lovers, that’s an amazing accomplishment.
The second biggest compliment I can give her?
I’m going to find a copy of this album on the weekend. She deserves my money.
Welcome back Ivana. Now, come to Vancouver so we can give you some of that love back in person.